Blood of My Blood review

Royal Court theatre, London A Black British woman traces her family’s enslaved past in Joy Nesbitt’s supernaturally charged play

Blood of My Blood review

TL;DR

  • The play is a ghost story and a reckoning with the undocumented history of enslaved people.
  • A Black British woman, Talulah, traces her family line to a South Carolina plantation and attempts to contact her ancestor, Ginnie, through 'conjuring'.
  • The production blends comedy, race drama, and gothic horror, with the past influencing the present.
  • The play satirizes white liberal guilt through characters who own and run the plantation in the present day.
  • Set design and lighting effectively delineate the past and present, suggesting the past remains alive.
  • The acting, particularly from Patrick Vaill and Ronkẹ Adékọluẹ́jọ, is highlighted as excellent.
  • Despite minor plot contrivances, the play is commended for its innovation and emotional impact.